A band of exotic colors is beautifully splashed over the blank canvas to carve a bewitching image of a lovely plant that is enveloped in an amazing triple layered border that is designed with exquisite floral designs, hued in a fabulous scarlet red, bright yellow, shining golden and a beautifully swashing brownish beige color. The distinctive borders are complimented by a fantabulous gleaming white shade that is emblazoned with the eye-catching greenery.This painting mainly defines one of the most sought for garlic plant in the best artistic style attracting all the garden lovers. Illustrated in a taffy pink tinge the flower is made prominent by perfectly thin black lines which emblazon its surface as its petals gleam with the splendid blend. Its gorgeous harlequin colored scrapes curl over to reveal the thin protruding leaves with swelvt false stems that drop down under the weight of the thick and heavy garlic bulb which is tinted in a crème white ivory color and a light green shade as millions of attenuated wire-like roots jut out from it.In this painting, Kailash Raj portrays the Mughal love for gardening and their food cravings, attracting potential spectators with his master brush strokes that spread the watercolor to beautify the painting scape.
Water Color Painting on Paper
Artist: Kailash Raj
6.5 inch X 9.5 inch
The Mughal school of painting runs parallel to the Mughal dynasty. It came into prominence in the sixteenth century, during the reign of king Akbar. It reached its zenith under the patronage of Akbar’s grandson – king Jahangir. The reign of the latter’s successor king Shah Jahan saw its decline and finally under the unsympathetic Aurangzeb it breathed its last. Indeed, as a school of art, the duration of Mughal painting was a limited one, extending only over approximately two and a half centuries. Actually, it has often been referred to as not exactly a school, but rather an exceptionally brilliant phase in Indian art.
The roots of Mughal painting lay in Samarkand and Herat, where under the patronage of the Timurid kings, Persian art reached its apogee. Babur, a descendant of Timur, and the founder of the Mughal dynasty, speaks of a person named ‘Bihzad’ as ‘a most eminent painter’. It was with the descendants of Bihzad and the deep personal interest taken by Akbar, the grandson of king Babur, that the Mughal school of art started off with a flourish.
Regarding the aesthetics of Mughal painting, one exceptional feature is its commitment to realism or the delineation of likeness. The subjects were majorly drawn from the extremely rich and magnificent court life under the Mughals. That this was a flourishing art during Akbar’s reign is borne out by the list of more than forty painters found in a book written during his era.
However, it was under Akbar’s son Jehangir that Mughal painting gained its highest peaks. Not only portraits and hunting scenes, but also scientific studies of botany and natural history found favor with the artists under the king’s support. The Mughal painters were asked to paint unusual specimens of flora and fauna in their exact likeness. Some of these skilfully painted pictures have survived till today, narrating to us the uniqueness of those rich times.
Under the reign of Shajahan, son of Jahangir, the Mughal school of painting entered its decline. The actual treatment of the subject matter is replaced with more decorative embellishments like rich flowery borders etc. Under Shahjahan architecture scaled new peaks (Taj Mahal etc.), but painting deteriorated. Finally, with the rise of Aurangzeb, Mughal painting breathed its last.